Brian Hamilton is a self-described cheerleader for the BC production industry and has been involved for over 25 years as a volunteer and board member for numerous organizations in the BC creative industry, including the BC Branch of the CMPA, the Vancouver Film Festival, Crazy8’s and DOC. As a partner of Omnifilm Entertainment, he has executive produced more than 70 television projects in both scripted and non-scripted genres, representing over 350 hours of broadcast programming since he joined Omnifilm in 1994. Brian is responsible for Omnifilm’s original content, including primetime scripted, kids and family programming, documentaries and factual series, in addition to overseeing Omnifilm’s Physical Production and Post Production teams. Recent programs which Brian executive produced include: Bletchley Circle: San Francisco for ITV, Britbox, Citytv and Netflix; Bush Wreck Rescue for Discovery Channel; Gabby Duran & the Unsittables as well as Fast Layne for Disney Channel; Jade Fever for Discovery Channel; Wild Bear Rescue for Animal Planet; Mech-X4 for Disney XD; Primeval: New World for Space, ProSeiben and UKTV; CBC’sArctic Air; Defying Gravity, for CTV, BBC, ProSeiben, and ABC, Robson Arms for CTV and Make Some Noise for CBC, which was awarded the Gemini for Best Youth Non-Fiction series, the Shaw Rocket Prize, and the prestigious Japan Prize for Youth Programming. Brian holds a First Class Honours Bachelor of Applied Science degree in Systems Design Engineering from the University of Waterloo and received his television training from the Banff Centre for the Arts.

Todd Ireland is an Indigenous (Métis) screenwriter with a passion for storytelling. In addition to his personal projects in development he serves as the Executive Vice President of Enderby Entertainment Canada. He has an active role on the Board of Directors for the Pacific Screenwriting Program and he is a proud member of the Writers Guild of Canada’s I.D.E.A. Committee.

Todd recently wrote on Circuit Breakers, a YA sci-fi anthology for Apple TV+. He also wrote several NFT comic books and a triple-A video game for Microsoft. In addition to his animated feature Sunny, which was optioned, he was a writer for Netflix’s ReBoot: The Guardian Code and the Saturn Award-winning Continuum.

Todd earned recognition with a 2019 WGC Screenwriting Award nomination. He is a graduate of the Pacific Screenwriting Program and the WGC Diverse Screenwriter Program. Todd lives with his wife and daughter in Vancouver.

Originally from Kitimat, B.C., Renuka is an optioned screenwriter with a background in Business. Playback listed her as one of Canada’s Top 10 Talent to Watch (2021), and her half-hour comedy, Brown Girl Town, was the Writers Guild of Canada’s Script of the Month (2022). She is an Executive Story Editor on Syfy’s Reginald the Vampire and Writer/Story Editor on Netflix’s I Woke Up a Vampire, a 16-part series created by Thomas W. Lynch.

She is a fellow of the BIPOC TV & Film Showrunner Bootcamp (2022), and one of the top 25 participants in the Netflix-BANFF Diversity of Voices PITCH program (2021). She currently resides in Vancouver, B.C.

Susin Nielsen is the creator/showrunner on Family Law. She got her start feeding cast and crew on the popular Canadian television series, Degrassi Junior High. They hated her food, but they saw a spark in her writing. Nielsen went on to pen sixteen episodes of the hit TV show. Since then, Nielsen has written for many Canadian TV series. She also co-created and executive produced the critically acclaimed half-hour comedy-drama, Robson Arms. Nielsen is also the multiple-award winning author of seven young adult novels. Her books have won the Governor General’s Literary Award, the UKLA award and over a dozen young readers’ choice awards. In 2019 she was awarded the Writers’ Trust Vicki Metcalf Award for a body of work. She lives in Vancouver with her family and two ill-behaved cats.

Danielle Woodrow is Director of Content at Netflix Canada. She relocated from Los Angeles to Toronto in fall of 2021 to spearhead the build of the local Content team.

Since joining Netflix in 2018, Woodrow has played an integral role in the development and production of a number of series including Behind Her Eyes, Pieces of Her and The Lincoln Lawyer. She also championed the acquisition of dramedy Emily in Paris. Most recently, she and the Canadian team greenlit their first scripted series, UNT. Artic Comedy, a co-license with CBC and APTN; and Tall Pines, a thriller created by comedian Mae Martin.

Woodrow came to Netflix from Perfect Storm Entertainment where she built the series arm and served as the President of Television. With Perfect Storm, Woodrow developed and executive produced the long-running CBS dramas Scorpion and S.W.A.T. as well as the cult hit Warrior for HBO Max.

Prior to joining Perfect Storm, Woodrow served as Senior Vice President of Original Programming at FX Networks, where she ran the Current Department and played a key executive role in shepherding the network’s slate of critically acclaimed series including Justified, Damages, Sons of Anarchy and Archer.

Woodrow began her career in TV Movies at Viacom’s MTV

Driven by a passion to support the work of artistic creators, Camilla has spent 28-plus years in cultural management in Metro Vancouver and in the UK. Her career includes executive roles at the Vancouver Writers Fest and Touchstone Theatre, and marketing roles the Arts Club Theatre Company, the London Symphony Orchestra and more. Most recently, she was Executive Director of Gateway Theatre from 2015 to spring 2023 where she led the organisation through a transformational process, creating a radical new vision for its programming and initiatives. She has held numerous volunteer positions and is currently board chair at the PuSh International Performing Arts Festival.

Kate has worked at the PSP in various capacities since its first year of operations. She is a TV writer herself, having adapted over 100 episodes of childrens anime for North American markets, including Beyblade Burst and Tobot, both currently streaming on Netflix.